La Série Noire au Cinéma - 80 ans d’écrans noirs et de nuits blanches

La Série Noire at the Cinema - 80 Years of black screens and sleepless nights

Exhibition from 28 March to 13 May 2025

To mark the 80th anniversary of the ‘Série Noire’ collection, the Galerie Gallimard is presenting a new exhibition, La Série Noire au cinéma. 80 ans d'écrans noirs et de nuits blanches, from 28 March to 13 May 2025.

 

In August 1945, at the instigation of translator Marcel Duhamel, a friend of Jacques Prévert and Raymond Queneau, Éditions Gallimard launched a brand new collection, the ‘Série noire’, devoted to the most representative works of the new English and American crime novel. Peter Cheyney, James Hadley Chase, Raymond Chandler and Don Tracy were among its first authors. But it was from 1948 onwards, on the initiative of Claude Gallimard, that the collection took off in an extraordinary way, increasing its number of publications and print-runs, in shared ownership with Hachette. Ten million copies were sold in ten years, and a thousand titles published in twenty years!




The success of this reinvented genre literature, to which the NRF lends its literary credentials, is inextricably linked with the vogue for American film noir in French cinemas in the post-war period. But its links with the big screen go beyond this phenomenon, particularly with the adaptation of the first French novels in the collection, of which Touchez pas au grisbi ! by Albert Simonin, adapted by Jacques Becker in 1953, is the most significant and early example.

 

Humphrey Bogart, Lauren Bacall, then Eddie Constantine, Jean Gabin, Lino Ventura, Alain Delon, Jean-Paul Belmondo, Jeanne Moreau... were some of the emblematic figures of this fascinating partnership between the written word and the screen, at a time when books and images seemed to be part of the same mythology: That of the ‘milieu’ where, beyond the picturesque, the social codes and the excesses of an era, and not without humour and fear, something is said about human truth - and lines are drawn for the evolution of the novel, cinema and publishing.
80 years, 3,000 thrillers and some 500 films later, the ‘Série noire’ remains more than ever attached to the dual identity that forged its myth.

This exhibition has been produced with the exceptional support of the Bibliothèque des littératures policières.
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